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By Richard Martin

Released along side the exhibition of an analogous identify held on the Metropolitan Museum of artwork in the course of the first sector of 1995. The authors (both curators on the gown Institute) discover the Wests fascination with principles and motifs from a few of the Easts, and display the expression of ...

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D'Orsay; the 1878 Salon; contemporary critics were appalled by the supposedly simian features of the peasant girl in this work. G. Victoria). G. Victoria), he borrowed elements Arc Listening from Ingres and the 17th-century Spanish painter New Jusepe de Ribera; although Bastien-Lepage did not heroism and patriotism he visited her birthplace Jules Bastien-Lepage: Hay Gatherers. aris, Muse'e d'Orsay) York, to the Voices (1879; exh. ). In homage to Joan's intense Baudry, Paul to gather details and returned to his models to find suitable own village for the figure.

They include (1849-56) for the church Saint-Germain-en-Laye, again based on the at life of St Francis and painted with Eugene-Emmanuel 24 Benouville: (2) Leon Benouville Amaury-Duval: the decorations room for the throne of the Hotel de Ville, Paris (destr. 1871); and the Musee Carnavalet, Paris, held memorial exhibitions of his work. such large canvases as St Claire Receiving the Body of St Francis of Assisi (exh. Salon 1859; Chantilly, Bibliography Mus. Conde). Thieme-Becker M. Laclotte and Un Temoin de M.

Grosvenor Gallery. stomach cancer. themes rustic ing, GABRIEL an P. WEISBERG awareness of Impressionistic broken brushstroke painting and an immediacy of touch. However, other sections of a work reflected a painstaking Baudry, (Jacques-Aime-)Paul La Roche-sur-Yon, 7 Nov 1828; d exactitude, suggestive of a classical training and (£> an interest in photographic detail. This technique, French painter. Like as well the provinces in 19th-century France, he went to as the subject-matter of his paintings, many 17 Jan 1886).

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