By Aleksandr Solzhenitsyn
The month of November 1916 in Russia used to be outwardly unmarked by way of seismic occasions, yet underneath the skin, society seethed fiercely. In Petrograd, luxury-store home windows are nonetheless brightly lit; the Duma debates the monarchy, the process battle, and clashing paths to reform; the employees within the depressing munitions factories veer more and more towards sedition. on the entrance all is stalemate aside from surprising death's capricious visits, whereas within the nation-state sullen anxiousness between hard-pressed farmers is speedily changing patriotism. In Zurich, Lenin, with the smallest of all progressive teams, plots his sinister logistical miracle. With masterly and relocating empathy, throughout the eyes of either old and fictional protagonists, Solzhenitsyn unforgettably transports us to that point and place—the final of pre-Soviet Russia. Translated via H.T. Willetts.
November 1916 is the second one quantity in Solzhenitsyn's multi-part paintings, the purple Wheel, following August...
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DURING THE PERFORMANCE • Keep your script away from your face but high enough to read: If you cover your face with your script, you block your voice from the audience. If you have your script too low, you need to tip your head down farther to read it and the audience won’t be able to hear you. • Use eye contact: Good Reader’s Theater performers look at the audience as much as they look at their scripts. If you look down, the sound of your voice goes down to the script and not out to the audience.
If you look down, the sound of your voice goes down to the script and not out to the audience. • Speak clearly: Make sure you are loud enough. Say all your words carefully. Be sure not to read too quickly. Remember, if you feel nervous, you may start to speak faster than usual. • Use facial expressions and gestures: Your facial expressions and gestures (hand movements) help the audience know how your character is feeling. If your character is happy, smile. If your character is angry, cross your arms and be sure not to smile.
Enrique tried his best to stand up straight and tall like his father. ” asked Santa Anna. Enrique’s mother looked very brave as she spoke. ” 29 30 Enrique felt cold fill his heart. His father was dead. ” asked Santa Anna. ” Santa Anna nodded and then gave Enrique’s mother a blanket and two silver dollars. ” He waved her away. There was nothing Enrique could do. He clenched his hands tightly at his side and stared at the man who killed his father. He would never forget the face of Santa Anna. It would haunt him the rest of his life, even years later when Texas and all the Tejanos were free from Mexico.