Download Mobility of Imagination by Dragan Klaic PDF

By Dragan Klaic

This concise guidebook explains the aim and anticipated advantages of overseas cultural cooperation, its hazards and strategic matters, versions and good fortune components. overseas cultural cooperation is analyzed the following as a trajectory improvement of person and institutional operators and as a method to construct an built-in, inclusive cultural house that might improve the idea of ecu citizenship. Examples are provided from all elements of Europe and all disciplines. Cultural cooperation has been normally conceived as a question of nationwide governments and nationwide cultural and overseas coverage, no longer in a wide supranational standpoint and never from the viewpoint of cultural operators themselves. scholars formerly needed to depend on occasional articles and a few governmental and educational experiences of a slightly slim concentration and nationwide standpoint.

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In this emerging cultural space differences are not being effaced, but acknowledged and made understandable and appreciated—which in turn makes the emergence of a Europe-wide civil society possible and plausible, superimposed on Europe as an integrated market, and on Europe as a complex political edifice. Europe at large, as a zone of cooperation, presupposes intensive macroregional cooperation within Europe (Nordic, Balkan, Danubian countries…) and the immediate neighbors (Mediterranean cooperation).

But in most instances a national label in itself has limited appeal for today’s culture audiences, especially within Europe, but in the USA as well.

One thinks here of all the cultural heritage sites of Avignon, Spoleto, Rome, Dubrovnik and other old European cities that have provided fascinating platforms for contemporary visual, musical and performing artists to show newly created work and to encounter new audiences. These artists also often work in international teams and ensembles. The Portuguese choreographer Rui Horta developed an international center for contemporary dance in Montenor-o-Novo, an adapted former convent in Alentejo that accommodates foreign groups and companies to create new work, and also regularly engages in artistic and educational programming with the population and especially youth in the surrounding towns and villages, where there is very little cultural infrastructure.

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