Download Expressiveness in music performance: Empirical approaches by Dorottya Fabian, Renee Timmers, Emery Schubert PDF

By Dorottya Fabian, Renee Timmers, Emery Schubert

What does it suggest to be expressive in track functionality throughout different ancient and cultural domain names? What are the capacity on the disposal of a performer in numerous time classes and musical perform conventions? What are the conceptualisations of expression and the jobs of performers that form expressive functionality?

This booklet brings jointly study from quite a number disciplines that use varied methodologies to supply new views and formulate solutions to those questions on the which means, skill, and contextualisation of expressive functionality in track. The individuals to this publication discover expressiveness in track functionality in 4 interlinked elements. beginning with the philosophical and historic underpinnings crucially appropriate for Western classical musical functionality it then reaches out to cross-cultural matters and at last focuses the eye on numerous particular difficulties, together with the instructing of expressive song functionality skills.The overviews supply a focussed and complete account of the present nation of study in addition to new advancements and a potential of destiny instructions.

This is a necessary new ebook for these within the fields of tune, song psychology, and track schooling.

Show description

Read Online or Download Expressiveness in music performance: Empirical approaches across styles and cultures PDF

Similar composition & performance books

The Jazz Scene: An Informal History from New Orleans to 1990

Not anyone can let us know extra approximately jazz than the musicians themselves. regrettably, such a lot oral histories have restricted scope--focusing on a selected period or style--and fail to catch the complete, wealthy tale of jazz. Now, during this vibrant oral background, W. Royal Stokes provides approximately a century of jazz--its humans, locations, sessions, and styles--as it was once obvious via the artists who created America's such a lot precise tune.

Concepts for Bass Soloing

The one ebook particularly designed to aid bass avid gamers methods to create appealing solos. comprises 2 CDs of Marc Johnson (bassist with invoice Evans, Stan Getz, and so forth. ) enjoying each one workout and lots of transcriptions of what Marc performs at the CDs. additionally contains transcribed solos via Eddie Gomez, John Patitucci, Jimmy Haslip and others.

Essential Dictionary of Music Notation

Обозначение музыки -это специальный язык и, как любой другой язык, этот должен быть понятен для всех, кто на нем общается. Чем ближе обозначения придерживается общих правил и руководящих принципов, тем более успешно будет исполнена музыка. Правила и руководящие принципы, представленные здесь, помогут всем лучше понять музыкальные намерения автора.

Frontiers of Meaning: Three Informal Lectures on Music

What does it suggest to appreciate tune? What, if whatever, does track suggest? Composers, performers, listeners, and lecturers may perhaps resolution those questions in a different way, yet what experience of track do they proportion? while song turns out unexpected or in contrast to something we have now heard sooner than, we might say that we do not "like" it.

Additional resources for Expressiveness in music performance: Empirical approaches across styles and cultures

Sample text

928). It is, of course, correct to say that if the musical materials did not have any expressive potential it would not be possible for composers to compose at all; once the notes within a particular idiom begin to form musical ideas and take shape as a piece of music, they seem to suggest expressive meanings of one kind or another. What is not at all clear, however, is the nature and extent of the relationship between musical materials and expressive content, and how one might go about setting the limit for the expressive potential of musical structures.

I. (1892a). Report on an experimental test of musical expressiveness. American Journal of Psychology, 4, 558–76. Gilman, B. I. (1892b). Report on an experimental test of musical expressiveness (continued). American Journal of Psychology, 5, 42–73. Gurney, E. (1880). The Power of Sound. London: Smith, Elder. Guttmann, A. (1932). Das Tempo und seine Variationsbreite. Archiv für die Gesamte Psychologie, 85, 331–50. xxix xxx Introduction Heinitz, W. (1926). Musikalische Ausdruckstudien an Phonogrammen.

Musikalische Ausdruckstudien an Phonogrammen. Zeitschrift für Musikwissenschaft, 9, 568–75. Heinlein, C. P. (1929). A discussion of the nature of pianoforte damper-pedalling together with an experimental study of individual differences in piano performance. Journal of General Psychology, 2, 489–508.  P. (1930). Pianoforte damper-pedalling under ten different experimental conditions. Journal of General Psychology, 3, 511–28.  von. (1863). On the Sensations of Tone as a Physiological Basis for the Theory of Music, 4th edn (1912).

Download PDF sample

Rated 4.23 of 5 – based on 34 votes