By Basil Dufallo, Dr. Peggy McCracken
From Eurydice to Laura and past, lifeless fanatics name forth robust expressions of grief, sorrow, love, and longing. They celebration mourning and different rituals and appear to be intrinsically certain up with altering principles of subjecthood itself. Dead Lovers explores the advanced attachments to the determine of the lifeless lover in Western literature, artwork, and different kinds of cultural expression from classical antiquity throughout the heart a while and into the early glossy period.
By reflecting at the learn of useless fans, those essays additionally hint the improvement of subject matters and claims on the subject of our personal funding in a “dead” yet eroticized prior that we search to recover. The assortment bargains a sustained dialogue of ways scholarly curiosity within the illustration of loss and erotic bonds increases urgent questions on nostalgia, functionality, the position of have an effect on in highbrow paintings, and the gendered cultural values that script the outline and event of the erotic. In its specialise in loss as a website of impact and mind's eye, Dead fanatics offers an unique and provocative contribution to the historical past of scholarship.
Basil Dufallo is Assistant Professor of Greek and Latin and Comparative Literature on the collage of Michigan.
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Extra resources for Dead Lovers: Erotic Bonds and the Study of Premodern Europe
An Interpretation of Propertius IV,7" Classical Review 51:53-55. Lefevre, E. 1966. Propertius ludibundus: Elemente des Humors in seinen Elegien. Heidelberg: Winter. Miller, P. A. 1999. " Transactions of the American Philological As- sociation 129:181-224. 2002. Latin Erotic Elegy: An Anthology and Reader. London: Routledge. 200oo4. Subjecting Verses: Latin Love Elegy and the Emergence of the Real. Princeton: Prince- ton University Press. Mueke, F. 1974. "Nobilis historia? 7. Bulletin of the Institute of Classical Studies of the University of London 21:124-32.
Ii. Papanghelis 1987, 7, 19. 12. , 78-79; 111 (borrowing the words of Fletcher [1973, 26] on Swinburne's "Les Noyades"). 13. Papanghelis 1987, 149. 14. , 147 5. , 8. 16. Janan 20zoo01, 107. 17. , 112. 18. , 113. 19. My translation of the Latin text of the Pro Caelio in Clark's Oxford edition. 20o. Cf. Cicero's account of Servilius's evocation of the dead Metelli in Oratio post reditum in senatu habita, 25, and Pro Sestio, 130-31. 8 describes Helvius Mancia Formianus's similar evocation of the illustrious Roman dead, victims of civil war, he claims to have seen in the underworld.
To ac- count for it so tidily, however, comes nowhere near the poem's real strangeness, its combination of dry restraint and wild emotion, sensuality and tragedy, its violation of the poetic norms of temporality and place. It approximates what Albert (1988) terms a mimetic poem in the Hellenistic tradition, like certain of Callimachus' hymns that lead the audience through a simulation of an actual ceremony; but here the narration is freed even further from the spatial and chronological facts of the rites, which yield to their tacit etiology, the myth.