By Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet, Sølvi Ystad (auth.), Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen (eds.)
This publication constitutes the completely refereed post-conference lawsuits of the fifth overseas Symposium on machine track Modeling and Retrieval, CMMR 2008 - Genesis of that means in Sound and song, held in Copenhagen, Denmark, in might 2008.
The 21 revised complete papers awarded have been in particular reviewed and corrected for this complaints quantity. CMMR 2008 seeks to magnify upon the feel of Sounds-concept by way of bearing in mind the musical constitution as an entire. extra accurately, the workshop may have as its subject matter Genesis of which means in Sound and song. the aim is hereby to set up rigorous study alliances among machine and engineering sciences (information retrieval, programming, acoustics, sign processing) and components in the humanities (in specific conception, cognition, musicology, philosophy), in addition to to globally handle the thought of sound that means and its implications in tune, modeling and retrieval.
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Extra info for Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music: 5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers
A panoply of sensations and emotions are elicited when we listen to a song, which in turn reﬂect cognitive aspects of the underlying structure in both sound and lyrics. Over the past half century these aspects of musical aﬀect have been the focus of a wide ﬁeld of research ranging from how emotions arise based on the underlying harmonic and rhythmical structures forming our expectations [1-3], to how we consciously experience these patterns empathetically as contours of tensions and release .
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