Review: vintage Pop is the song journal everyone's been expecting. if you happen to grew as much as the explosion of recent Wave sounds within the late-70s to mid-80s with the thrill of synth-pop, New Romantic, ska and indie-pop casting away the turgid rock stereotypes - vintage Pop is the journal for you.
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Additional resources for Classic Pop (June/July 2016)
Attitude-wise? Oh, I had to bring myself to it. It’s no good doing it like The Bee Gees. ” Let The Record Show is a very Dexys title. It’s declarative, with a burning sense of mission… “Yeah,” he agrees. “I didn’t really think about it. It’s an intuitive thing. ’” Rowland has been keen to draw the distinction between “covers” – with its intimation of rote repetition – and interpretations. Like David Bowie and Bryan Ferry before him – on Pin Ups and These Foolish Things (both 1973) – he has, on Let The Record Show, used others’ material as the launchpad for some intriguing stylistic peregrinations.
Playing with the symphony is a dream,” she adds. “The challenge is finding that feeling of intimacy you have with a small group. youtube. com/watch? v=ZhxTX7qZUAY Colette Lash FROM BLUES TO PUNK ROCK PENTHOUSE REBORN Heaven 17 are rebooting their seminal debut, Penthouse And Pavement. To celebrate its 35th anniversary the Sheffield legends will tour a brand new electronic version of the classic album in full this autumn. Their nine-date jaunt kicks off on 20 October at the O2 Academy Liverpool and finishes up at London’s Shepherds Bush Empire on 30 October.
Indd 51 28/04/2016 17:45 j o h n f o x x As for John Foxx’s single Underpass, this one stood out as being way away from normal, even in the melting pot of styles that was 1980. ’ And it was. This author remembers recording it immediately upon hearing it on Radio 1 – mono cassette, play and record buttons needed, of course. How was it made? Why was it was made? What planet was it from? And, more importantly, why the heck was Tony Blackburn playing it? I still have the cassette somewhere: Blackburn says ‘Weird, but wonderful’ at the end of it (or, more likely knowing him, over the bloody end of it).