By Larry Harris, Curt Gooch, Jeff Suhs
Now it may be informed! the real, behind-the-scenes tale of Casablanca documents, from an eyewitness to the surplus and madness. Casablanca used to be now not a made from the Seventies, it used to be the Seventies. From 1974 to 1980, the panorama of yank tradition was once a dinner party of hedonism and self-indulgence, and nobody or corporation in that period was once extra emblematic of the days than Casablanca documents and its magnetic founder, Neil Bogart. From his bold first signing of KISS, throughout the discovery and superstardom of Donna summer season, the Village humans, and funk grasp George Clinton and his circus of freaks, Parliament Funkadelic, to the descent into the manic global of disco, this publication charts Bogart's meteoric good fortune and eventual cave in lower than the burden of out of control ego and hype. it's a compelling story of ambition, greed, extra, and a few of the era's greatest tune acts.
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Additional info for And Party Every Day: The Inside Story Of Casablanca Records
Long-form programming did exist, but radio has always been a singlesbased medium. It’s a Long-Playing World So radio helped promote the recording industry, and the recording industry powered radio. It was a nice symbiotic relationship. As could be expected, of course, the record industry evolved over time, always due to technological developments. The next big change happened in the late 1940s and early 1950s, when the original 78 RPM discs gave way to long playing (LP) records. Originally developed by Columbia Records in 1948, LPs let music labels put more music on a disc.
So if you were a music lover around the turn of the century, you played it yourself on your own piano from sheet music you purchased at your local music store. Now, this process wasn’t quite as immediate as what you get with today’s digital distribution; it took longer for a song to become a hit, but hits were made nonetheless. In fact, the most popular sheet music of the day sold millions of 13 1 14 1 PA R T I Understanding Digital Music copies—not unlike what a hit song sells today. ) And note something about how music was distributed then—on a song-bysong basis.
By 1988, CD sales had surpassed sales of vinyl records, peaking in 2000 at close to 950 million units. Going Digital Since the turn of the millennium, however, CD sales have gone downhill. That’s due to a number of factors, including a dearth of talent and an increasing fragmentation of genres. But probably the most significant reason for the slide in sales of physical music product is the shift to virtual products—digital music downloaded from the Internet. With the rise of the Internet in the late 1990s, music lovers found they could download the songs they wanted from a variety of legitimate and illegitimate websites.