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By Sebastian Barry

In 1914, Willie Dunne, slightly eighteen years outdated, leaves at the back of Dublin, his kin, and the woman he plans to marry with the intention to enlist within the Allied forces and face the Germans at the Western entrance. as soon as there, he encounters a horror of violence and gore he couldn't have imagined and sustains his spirit with purely the phrases at the pages from domestic and the camaraderie of the mud-covered Irish boys who struggle and die through his aspect. Dimly conscious of the political tensions that experience grown in eire in his absence, Willie returns on depart to discover a global cut up and ravaged by means of forces towards domestic. regardless of the relaxation he reveals together with his relations, he is aware he needs to rejoin his regiment and struggle till the top. With grace and tool, Sebastian Barry vividly renders Willie's own fight in addition to the overpowering outcomes of struggle.

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DURING THE PERFORMANCE • Keep your script away from your face but high enough to read: If you cover your face with your script, you block your voice from the audience. If you have your script too low, you need to tip your head down farther to read it and the audience won’t be able to hear you. • Use eye contact: Good Reader’s Theater performers look at the audience as much as they look at their scripts. If you look down, the sound of your voice goes down to the script and not out to the audience.

If you look down, the sound of your voice goes down to the script and not out to the audience. • Speak clearly: Make sure you are loud enough. Say all your words carefully. Be sure not to read too quickly. Remember, if you feel nervous, you may start to speak faster than usual. • Use facial expressions and gestures: Your facial expressions and gestures (hand movements) help the audience know how your character is feeling. If your character is happy, smile. If your character is angry, cross your arms and be sure not to smile.

Enrique tried his best to stand up straight and tall like his father. ” asked Santa Anna. Enrique’s mother looked very brave as she spoke. ” 29 30 Enrique felt cold fill his heart. His father was dead. ” asked Santa Anna. ” Santa Anna nodded and then gave Enrique’s mother a blanket and two silver dollars. ” He waved her away. There was nothing Enrique could do. He clenched his hands tightly at his side and stared at the man who killed his father. He would never forget the face of Santa Anna. It would haunt him the rest of his life, even years later when Texas and all the Tejanos were free from Mexico.

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