By Alison E. Cooley
A Companion to Roman Italy investigates the impression of Rome in all its forms—political, cultural, social, and economic—upon Italy’s numerous areas, in addition to the level to which unification happened as Rome grew to become the capital of Italy.
- The assortment offers new archaeological information in relation to the websites of Roman Italy
- Contributions talk about new theories of ways to appreciate cultural swap within the Italian peninsula
- Combines specified case-studies of specific websites with wider-ranging thematic chapters
- Leading members not just make obtainable the latest paintings on Roman Italy, but additionally provide clean perception on lengthy status debates
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Extra resources for A companion to Roman Italy
The two major Etrurian sanctuaries already mentioned – Pyrgi and Gravisca – were dynamic cosmopolitan hubs that acted as in‐between spaces for locals and outsiders serving the cities of Caere and Tarquinii, respectively. One way that their role has been understood is through the concepts of hybridity and the Middle Ground, where Italy Before the Romans 21 distinct cultures come together and through interaction form a new cultural entity (Malkin, 2002). While such sites may have been exceptionally cosmopolitan, the mixed population they sustained was also comparable to any successful coastal or inland port city, and hence the idea of a gateway or intersection may be more relevant in describing their role.
1988. ” In Storia di Roma, I. Roma in Italia. Turin: Giulio Einaudi. Torelli, M. 1999. Tota Italia. Essays in the cultural formation of Roman Italy. Oxford: Clarendon Press. M. G. Jr. 2002.
3). Possibly the availability of this human resource may have allowed for the construction projects and embellishment of sites such as Veii in the sixth century bc. Shipwrecks, such as the Archaic Giglio Campese that sank fifteen kilometers. off the Italian coast, most likely en route to Massilia, reveal the variety of Italian products traded 20 Elena Isayev around the Mediterranean (Peña, 2011: 184–89). Its cargo included numerous amphorae from Vulci with pine pitch, olives and maybe wine, as well as stone anchors, and copper and lead ingots probably from Giglio itself.